In The Child by Fiona Barton, Barton weaves a twisting tale of psychological suspense that will rip through your senses as you try to figure out what is happening. Have you ever wondered what happens when old houses are demolished? What if they discover something hidden in the ground? Hidden in the walls? What of the secrets that are uncovered?
The Child begins with the discovery of a tiny skeleton during the demolition of an old house in London. Journalist Kate Waters stumbles upon this story and decides to dig deeper into what happened to the child. Piecing together what information she can gather, Waters is continuously left with more and more questions with the chief one being: who is the building site baby? Forced to work with a young male intern, Kate is able to convince her boss, Terry, that she needs to investigate.
Angela is a grieving mother who is struggling to comes to terms with a devastating event that tore her family apart almost forty years ago. Her family is trying to help Angela move on with her life, but they are just as torn up as she is.
Emma is a young wife who is going through some major anxiety. She is having trouble just living her life, much to the chagrin of her husband who is trying to help her however he can. Emma’s issues seem to stem from her past. She was raised by her single mother, Jude. The two have a strained relationship that will leave readers wondering what exactly happened between the two to cause such dislike.
Angela, Emma, and Jude all have some interest in the building site baby. Kate’s investigation into what happened to the baby elicits a different reaction from each woman. Kate finds herself going back to the building site and visiting each house to try to track down someone who knows something about the baby. The more she investigates, the more secrets and connections Kate digs up. Kate finds herself becoming a keeper of Angela, Emma, and Jude’s secrets. Her journey to find out what happened to the building site baby evolves into a much larger conspiracy that consumes Kate’s life, but leaves her hesitant about what she can and cannot disclose to the authorities.
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Low, Volume 1: The Delirium of Hope by Rick Remender blew all of my science fiction/fantasy/graphic novel expectations out of the water. Even though the woman on the cover, Stel Caine, the matriarch of the Caine family, is wearing heels, she is an incredibly strong and powerful leader who leads her family and community through despair. Her belief that human consciousness can change your reality pushes her through dark times, leading her to believe deeply that hope can change anything, no matter what the people around her may say or do or what her current circumstances are.
In this first volume, Low begins by introducing you to the Caine family, mom Stel, dad Johl, and their three kids. Many millennia in the future, humanity was forced to abandon the earth’s surface and take refuge underwater because of the sun’s intense radiation. They knew that living underwater would only prove to be a temporary solution as the sun’s radiation would reach them eventually. As a result, the first batch of mankind to live under the waves sent probes into the galaxy to look for inhabitable worlds, knowing their great-great grandchildren would be the only ones who would benefit from the results. Generations later, the Caine family is in control, fighting off invaders and trying to keep their lives together. A great disaster alters their family forever and the Caines are forced to reach deep within themselves to try to find the strength to survive. Grief cannot be given control leading Stel to work to find a solution to both the loss of her family and the necessity of finding a new inhabitable world quickly.
Tocchini’s artwork grew on me. His work is sketch-like with colors that are rich, but also at the same time, muted. His style of drawing really leads you into the different scenes and the different places underwater that the characters find themselves traveling to. I recommend you check this out! (I’m currently deep in the second volume, so stay tuned for a review of that one!)
Have you zipped through Stieg Larsson’s Millennium series? Are you looking for a heroine as tough and scarred as Lisbeth Salander? Well, look no further.
The titular Informationist, Munroe (aka Michael and Victoria) is a very high-priced gun-for-hire. Because of her facility with languages and insight into the politics and economics of other countries, she acts as a quasi-spy/private eye for governments and corporations. She grew up in Cameroon, the daughter of missionaries, and rebelled against their religion and neglectful parenting, by going to work for a local cartel of criminals. There she learns many survival skills, useful in her current line of work.
The most interesting aspect of the book are the settings of Equatorial Guinea and Cameroon. Munroe and her minder navigate the bureaucracy, politics and culture of these countries trying to find the daughter of a billionaire oilman.
Her job as an “informationist,” is to get the information her employer requests. In this case, whether the missing girl, Emily, is dead or alive. Such a remote part of the world is fascinatingly revealed – the climate, history, and customs are incorporated naturally into the story. The pages nearly drip with the heat and humidity.
The author herself grew up very non-traditionally, in a “communal apocalyptic cult,” as she says. It wasn’t till she was in her twenties that she escaped. The cult traveled all over the world, including West Central Africa, which accounts for her gifted depiction of this area.
I wouldn’t be surprised if there was a series of Victoria Munroe books in the near future.