In The Child by Fiona Barton, Barton weaves a twisting tale of psychological suspense that will rip through your senses as you try to figure out what is happening. Have you ever wondered what happens when old houses are demolished? What if they discover something hidden in the ground? Hidden in the walls? What of the secrets that are uncovered?
The Child begins with the discovery of a tiny skeleton during the demolition of an old house in London. Journalist Kate Waters stumbles upon this story and decides to dig deeper into what happened to the child. Piecing together what information she can gather, Waters is continuously left with more and more questions with the chief one being: who is the building site baby? Forced to work with a young male intern, Kate is able to convince her boss, Terry, that she needs to investigate.
Angela is a grieving mother who is struggling to comes to terms with a devastating event that tore her family apart almost forty years ago. Her family is trying to help Angela move on with her life, but they are just as torn up as she is.
Emma is a young wife who is going through some major anxiety. She is having trouble just living her life, much to the chagrin of her husband who is trying to help her however he can. Emma’s issues seem to stem from her past. She was raised by her single mother, Jude. The two have a strained relationship that will leave readers wondering what exactly happened between the two to cause such dislike.
Angela, Emma, and Jude all have some interest in the building site baby. Kate’s investigation into what happened to the baby elicits a different reaction from each woman. Kate finds herself going back to the building site and visiting each house to try to track down someone who knows something about the baby. The more she investigates, the more secrets and connections Kate digs up. Kate finds herself becoming a keeper of Angela, Emma, and Jude’s secrets. Her journey to find out what happened to the building site baby evolves into a much larger conspiracy that consumes Kate’s life, but leaves her hesitant about what she can and cannot disclose to the authorities.
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The Imperfectionists by Tom Rachman is a series of narratives by different people affiliated with a newspaper in Rome. Each odd-numbered chapter is told by a different character, like struggling freelance writer Lloyd, hated CFO Abbey, and longtime reader Ornella. The even-numbered chapters are devoted to the history of the newspaper, starting with its founding by millionaire Cyrus Ott and ending with its downfall in the current Internet age due to declining readership.
My big complaint about the book is that because it is subtitled “A Novel”, I was expecting a novel. But what we get is individual chapters that tell the stories of different characters, and those characters’ lives don’t really intersect except that they all happen to work at the same newspaper. Because of this, it feels much more like a collection of short stories, which I’m not uaually a fan of. That’s not to say that this book isn’t well done, it just wasn’t what I was expecting. If you’re interested in the topic and like short stories, you should give it a try. There are aspects of it that I really did enjoy, especially seeing the history of the paper unfold throughout the book. At its heart, The Imperfectionists is a book about people trying to get by despite the fact that their careers seem doomed. It seems especially relevant when we hear so much today about print journalism going by the wayside in favor of getting our information online.
On July 16, 1942 thousands of Jewish families were rounded up in Paris and held under brutal conditions at the Vel’ d’Hiv’ train station before being shipped to Auschwitz and almost certain death. Although the orders were issued by the Nazi’s, they were carried out by the French police; most of the Jews were French citizens and almost no one came to their defense. Property and homes left behind by the Jews were quickly taken over by Parisians and the incident buried. While France has recently made an effort to acknowledge and apologize for this dark chapter in their history, and public memorials have been erected, it remains a story that is little known and even deliberately hidden.
Sarah’s Key by Tatiana de Rosnay brings this horrific story to life. Alternating chapters follow 10-year-old Sarah Starzynki and her family when they are brutally taken from their home in 1942 and present-day journalist Julia Jarmond who is writing a story about the little known roundup. The secret that Sarah carries with her – that, at his insistence, she has locked her little brother into a secret hiding place, believing she will return in a few hours – as well as the suffering she and her family endure shadows her life. Julia, an American living in Paris, discovers that her in-laws have a connection to Sarah, a family secret that they have tried to deny. Julia’s determination to find answers and to trace Sarah threaten her marriage and forever alter her view of her beloved adopted home.
This book is a real page turner – both stories are dramatic, full of twists and revealing of human character both at its worst and its best. There are interesting insights into how the people of Occupied France reacted to the persecution of the Jews, and how many modern French continue to dismiss or ignore their past. At one point someone asks Julia why she, an American born long after the war and with no connection to the tragedy, is so determined to find Sarah. Julia replies that she wants to apologize, “Sorry for not knowing. Sorry for being 45 years old and not knowing.” Reading Sarah’s Key can help all of us correct this error.