Have you ever seen a preview and told yourself you would never watch the movie? That’s how I felt with The Age of Adaline. The premise seemed unbelievable and the whole idea far-fetched. One day, however, someone told me I should really check it out because the movie was better than what the preview presented. Thus begins my falling in adoration of The Age of Adaline.
The Age of Adaline follows the life of young Adaline Bowman and her decades long endeavor to keep her real identity hidden from everyone. This necessitates having to move every decade and to change her identity. Adaline Bowman was in a near-death car crash when she was 29 that left her unable to age. Having remained 29 for almost eighty decades, Adaline has managed to keep her identity a secret by following a set of rules she has written for herself. She steers away from love, chooses friends wisely, and never tells anyone her real name – well except for one person, but that was years in the past.
In present day, Adaline manages to keep all of her promises until she meets Ellis Jones, a philanthropist who works his way fully into her life. Adaline soon finds herself having to deal with the clashing of her past and her present when a weekend trip to his parents’ house brings up memories that she would like to leave behind. This trip changes her life forever and forces her to come face-to-face with her destiny, whatever she chooses it to be.
A theme that seems to be present in most of the materials I have been reading recently is the apocalypse and the end of the world. ApocalyptiGirl: An Aria for the End Times is no exception. Aria is stuck alone on the planet at the end of the world with only a cat named Jelly Beans as her companion. She discovered tunnels under this overgrown city and has transformed them into her living chambers. Although Aria is by herself, she has a mission to complete and one important part of this is to find working parts to transform Gus, a giant robot machine, back into working order.
Aria’s main mission? To find an ancient relic with immeasurable power called the Grand Photon. This gift from above is perfect energy because of its ability and power to transform an entire planet into a veritable Garden of Eden. History says, though, that the inhabitants of this planet had used the Grand Photon for evil, harnessing its power and weaponizing it, which eventually led to the scorching of the planet and the killing of almost every living thing. Aria was sent to this planet for what she thought would be three months, armed with a tracking device on her arm, to find the Grand Photon. Those three months turned into six years.
Andrew MacLean has put together a beautifully illustrated story about a young woman’s struggle in an action-packed adventure comic about the extremes of humanity and how even in a world that has been completely ravaged by war, we still long for a place to call our home. The artwork is bright and reminiscent of manga with woodblock art and a very-detailed, almost old American comic feel to it. Through the first few pages, it definitely becomes apparent that this story takes place not in this time period, but the art has you wanting to pay close attention to the vividness of each color and the different story lines. This graphic novel is not overly filled with back story; MacLean chooses instead to give us glimpses of history through Aria’s streaming consciousness, in essence she is talking to herself and through this talking, readers are privy to a much-needed-to-know history. With no one to talk to on this planet, Aria would naturally keep a running commentary in her head and also with her cat, Jelly Beans. This graphic novel was both serious and humorous; two things that if done right, work perfectly together.
After the tragic passing of Robin Williams on August 11, 2014, I found myself going back and watching some of my favorite movies that he starred in (Can’t get enough of that genie in Aladdin and Good Will Hunting has Matt Damon, Ben Affleck, AND Robin Williams, so you can’t pass that up!). I also found myself wondering what would be his last movie, found this article detailing what they would be, and made a note to check them out. I was finally able to check one of them out! One of his last movies was Boulevard, starring Williams as Nolan Mack, a married, yet closeted, bank employee in his 60s and what happens when he decides to take a different way home one night.
Nolan has a lot on his plate. He has been working at the same bank for 25 years, has been offered a promotion to branch manager which requires a lot of prep work, and has an elderly father in the hospital. His home life seems to be idyllic, except for the tiny fact that he and his wife, Joy, sleep in separate bedrooms and seem to have entirely separate lives. On his way home after visiting his father in the hospital, Nolan finds himself driving down an unfamiliar street. Sitting at a red light, he decides to turn around. After almost hitting a young man crossing the street, Nolan offers the young man a ride to wherever he was heading, discovers he’s a prostitute, and finds himself in a hotel room with young Leo, confronting issues in his life that he had hoped to keep buried. Needing Leo in his life more than he realizes, Nolan soon finds himself deviating from the comforting and familiar bearings of his life, his work, and his marriage in order to fully become his true self.
How far would you be willing to go to keep your family together? To get your dream house? To provide a life for your children that you never had? Would you hunt for your dream job? Would you steal? Would you jeopardize your own future to make sure your children have whatever they want? All of these are questions that Sophie Potter has to deal with in Sonya Cobb’s new novel, The Objects of Her Affection.
In The Objects of Her Affection, Sophie finds herself home alone with two young children, wanting to give them the house and the childhood that she never had growing up. She bounced from apartment to apartment as a child, moving when her mother found new work. After her father figure died, her mother skipped town, leaving Sophie to fend for herself.
With her husband ensconced and buried within his work as a museum curator at the Philadelphia Museum of Art and with her own career at a standstill after the birth of their two children, Sophie finds herself floundering for support and yet in charge of all the bills and the family’s well-being. After she finds her dream house and convinces her husband of its potential worth, he leaves her in charge of figuring out the whole mortgage and loan business. After signing up for what she believes to be the best offer, Sophie soon realizes that that deal was too good to be true after notices and bills keep showing up at her door, she actually can’t afford the mortgage payment each month, and the business can’t track down who actually owns her loan.
Frustrated, she visits her husband at work to tell him about the mess she’s in and accidentally slips a piece of museum property in her purse. Not wanting to get him into trouble, she decides to sell the piece. Shocked at the amount of money she gets, Sophie sees that she can afford to keep up on all of the bills using that money without having to tell her husband about the mess she has put them in. Sneaking more objects out of her husband’s office gives her a thrill and a sense of satisfaction that she has been missing since the birth of her children, but once the museum realizes pieces are missing and the FBI comes to interview everyone, Sophie is forced to make a choice between telling the truth and keeping her dream afloat by stealing yet another museum piece. The Objects of Her Affection gives readers an up-close look at the lengths people will go through to keep their families together, just how dangerous keeping secrets can be, and how giving up is never an option.
The Syfy channel premiered Ascension, a limited event series, in December of 2014, as a way to introduce people to the idea of what would have happened if Project Orion (also check out their Wikipedia page), a government sponsored program from the 1950s that would have placed over 150 scientists on the moon and even been able to send expeditions to other planets, would have actually happened. Ascension chronicles what could have happened had Project Orion actually occurred.
Ascension gives viewers a glimpse into the secret programs of the government and the lives of the people who both wittingly and unwittingly found themselves stuck on that spacecraft. In 1963, at the height of the Cold War, the government secretly recruited 350 people for a mission into space. A huge interstellar spaceship called Ascension was launched into space on a 100 year journey to another solar system. Present day on the ship is 50 years later and viewers are introduced to the children of the original crewmembers, the middle group of people, the ones who are doomed to spend their whole lives on the ship without ever being able to see their destination. Their parents started the ship and their children will be remembered as the ones who complete the journey. This middle group will be forgotten.
Tragedy has struck on Ascension with their first murder having been committed. This leads to chaos as the captain and his crew struggle to figure out who committed this crime while also working to keep the rest of the ship calm. Striated class systems and struggles for power dominate the investigation of the death of a woman from the upper decks as people from the lower decks are accused of the crime. This television show is wracked full of plays for power, multiple ship romances and trysts, and rivalries that will have you on the edge of your seat. Add in the fact that people on board only have access to culture, information, and technologies from 1963 and before and the whole spacecraft takes on an eternal 1960s feel that is intriguing and pleasing to the eye.
Check out this show to learn more information about the launch of Ascension, the people aboard the ship, as well as information about the founders and the governmental organization responsible for making sure the mission stays on course no matter the cost.
Have you ever watched a show that had you continuously scratching your head and wondering what was going on and how any of it could possibly be happening? My latest head-scratching television show is Wayward Pines, a Fox television show that premiered its first season in May of 2015 . This show stars Matt Dillon as Secret Service agent Ethan Burke who is sent to investigate the disappearance of two fellow agents. On his way to investigate, Burke is in a serious car accident and wakes up in a hospital in Wayward Pines, a creepily idyllic town in the picturesque mountains of Idaho.
After breaking out of the hospital, Burke begins the investigation into his missing colleagues and also into what actually happened to him before he woke up in the hospital in Wayward Pines. Burke soon realizes that crazy things are happening when he stumbles upon one of his missing colleagues and she tells him she has been in Wayward Pines for years, when she disappeared from DC five weeks prior. Burke tries to leave, tries to get in contact with his wife and son, and tries to pry answers from the sheriff and the townspeople, only to be rebuffed and in danger no matter what he tries. When his family comes looking for him, Burke takes matters into his own hands and desperately searches for a way to free them all for the walled city of Wayward Pines. This television show can be confusing at times, but the giant conspiracy around the whole endeavor had me clamoring for more once I watched the season finale.
This television show is based on the Wayward Pines novels by Blake Crouch. The order of the trilogy is Pines, Wayward, and The Last Town. You can find all three at the Davenport Public Library.
Actors taking a turn behind the camera as directors or producers has become increasingly more common. Russell Crowe has joined the ranks of such actors with the 2014 film, The Water Diviner, in which he both stars and directs this Australian historical fictional war drama.
In The Water Diviner, Crowe stars as Australian farmer Joshua Connor, who lives in Australia on a working farm with his wife and their three sons. After the unexpected death of his wife, Connor heads to Turkey in 1919 after the Battle of Gallipoli in order to find his three missing and presumed dead sons in order to bring their bodies home to be buried next to their mother. Connor repeatedly finds obstacles thrown in his way that bar his ability to, at first, make it to Gallipoli and then to get the officials there to even help him find his son. Facing tension from the military and different governmental agencies while abroad, as well as discrimination in Turkey from the locals who see him as the reason why their family and friends didn’t come home from the war, Connor soon realizes that everyone and everything around him has drastically changed from the war and that he must find a way to survive.. Finding his sons becomes Connor’s driving force through life, leading him to discover things that he is not quite ready to know.
This movie is loosely based on the book The Water Diviner by Andrew Anastasios and Dr. Meaghan Wilson-Anastasios. Check out the following books to learn more about the Battle of Gallipoli.
In The True Lives of the Fabulous Killjoys, Better Living Industries, a megacorporation with a ruthless and tyrannical leader, is working to take over more of the world and to cut off the freedoms and emotions of everyone living on the planet. This has been going on for years with revolutionaries and groups popping up every now and then trying to save what they can of the life they used to live and the people that they used to know. A group of four said revolutionaries became THE group of revolutionaries in this world with their likenesses splattered all over the news. Sadly over ten years ago, they were all killed while trying to save the life of a mysterious young girl that Better Living Industries, aka BLI, was trying to kill. This young girl becomes one of the main subject lines of The True Lives of the Fabulous Killjoys. Follow along as the Girl works to figure out why BLI tried to kill her, what BLI is doing to all the defunct robots around the world, how these rogue groups are surviving and getting their news, and how the system BLI has set up is really affecting the civilized people in the world and how BLI is able to control the world and its employees.
The writers, Gerard Way and Shaun Simon, along with artist Becky Cloonan, have crafted a very strange, mysterious, and science fiction heavy graphic novel that is rich in details and colors that pop into your subconscious as you follow along with the characters. This graphic novel does not have a traditional linear structure, in the sense that readers will have to pay attention to context and art clues to figure out the difference between the past and the present, but the ideas presented are so intriguing and seemingly plausible that the quick transitions between past and present and also between different characters’ storylines only serve to add to the complex and supremely creative nature of this graphic novel. I highly recommend reading through this graphic novel more than once.
Etgar Keret is an Israeli writer who has had his work translated into thirty-seven languages. He is a lecturer at a university and a short story writer. Keret has also appeared in many newspaper publications and reviews and contributes on This American Life. I was first introduced to Keret through his short stories and the work that he has done on two films, Jellyfish and Wristcutters: A Love Story.
The Seven Good Years: A Memoir chronicles in a year-to-year story the seven years between the birth of Etgar’s son and the death of his father. Each section is broken up into a different year and while Etgar does manage to incorporate flashbacks to help readers realize how he became the person he is today, how he met the people important to him, and how his relationships with his family have grown and changed, the majority of the story is on pivotal moments that happened within those seven years of grandpa, dad, and son relationships.
Lev, Etgar’s son, was born in the middle of a terrorist attack. When they finally get to the hospital, there are no doctors in the maternity ward because there are so many trauma people needing help. The journalist who goes to interview Etgar makes this attack seem commonplace and Etgar soon references Tel Aviv. Readers are thrust into a Keret’s world, a world where he travels the world doing book talks, meets with different people, and does readings from his previous works. The flashbacks provided me with much needed background to understand the reluctance and focus on family behavior through certain circumstances. Although Lev and Etgar experienced their childhood at different time periods, the overarching base emotions prove to be the same. I found this book by Keret to be an engaging and emotional read, one that while being marketed as a memoir, also read to me as a story about more than just his family life. Sure, on the surface the family dynamics are there, but I found myself digging deeper into the book to really flesh out the happenings that molded Etgar and his family to behave the way they do.
I found this book to be an introduction to a culture and an area of the world that I basically grew up knowing little to nothing about. This memoir could have been exceptionally heavy and depressing, in fact at points it is, but Keret was able to show readers that while sad moments are present, there are always ways to find good moments as well.
The English student in me cringes whenever someone says, “Let’s read an essay” because in my mind, the term “essay” is still equated with the five-paragraph, three-reasons-why type essays that you had to write in high school. When I was flipping through Allison Gruber’s You’re Not Edith, a book exclusively filled with autobiographical essays, I noticed that instead of the traditional format, her essays read like chunks of a story broken apart for relief, flashback, comedy, and a wide variety of other purposes. I started reading You’re Not Edith and discovered that I was in fact reading an autobiography with much shorter chapters, something that my brain found easier to digest because there were breaks where I could stop if I had to go do something else and I found that I was able to finish this book much quicker than I was other books. Books containing autobiographical essays have begun to grow on me.
In You’re Not Edith, Allison Gruber reflects upon her entire life as she’s experienced it so far. Just like in her life, Gruber takes risks when she explodes her life into these essays for readers to dissect. She pulls no punches as she describes how she tried to use her fascination with Diane Fossey to help her win her girlfriend in high school or how she was diagnosed with breast cancer as she was teaching at the collegiate level. Gruber is a hilarious writer who speaks with shocking candor and isn’t afraid to tell the truth about her struggles with cancer and how she figured that even though she wouldn’t allow others to take care of her, she would still be able to care for Bernie, a little dachshund who didn’t fit her perfect ideal of the Edith dog, but ended up being exactly what she needed.
I encourage you to pick up this book to check out her feelings on weddings, her father’s mental problems, and how she came into her own through music, drama, English, and many other interconnected things.