New Essay Collections

Have you ever read an essay collection? I turn to essay collections when I want to read, but need something shorter than a novel or a nonfiction book. I also find them helpful when I’m not in the mood for fiction, but want to read something. There’s a time and place for any type of reading and sometimes you just need an essay collection to cleanse your palate (at least I do)!

When reading essays, I have noticed that each one is self-contained. They take a special type of craft and discipline to cultivate a book theme and essays that surround it. Each collection of essays is its own work of art.

Below I have gathered a list of essay collections published in 2023. The descriptions have been provided by the publisher and/or author.

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Quietly Hostile: Essays by Samantha Irby

Samantha Irby’s career has taken her to new heights. She dodges calls from Hollywood and flop sweats on the red carpet at premieres (well, one premiere). But nothing is ever as it seems online, where she can crop out all the ugly parts.

Irby got a lot of weird emails about Carrie Bradshaw, and not only is there diarrhea to avoid, but now—anaphylactic shock. She is turned away from restaurants for being inappropriately dressed and looks for the best ways to cope, i.e., reveling in the offerings of QVC and adopting a deranged pandemic dog. Quietly Hostile makes light as Irby takes us on another outrageously funny tour of all the gory details that make up the true portrait of a life behind the screenshotted depression memes. Relatable, poignant, and uproarious, once again, Irby is the tonic we all need to get by.

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Monsters: A Fan’s Dilemma by Claire Dederer

Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience’s relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?

Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

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Black on Black: On Our Resilience and Brilliance in America by Daniel Black

“There are stories that must be told.”

Acclaimed novelist and scholar Daniel Black has spent a career writing into the unspoken, fleshing out, through storytelling, pain that can’t be described.

Now, in his debut essay collection, Black gives voice to the experiences of those who often find themselves on the margins. Tackling topics ranging from police brutality to the AIDS crisis to the role of HBCUs to queer representation in the black church, Black on Black celebrates the resilience, fortitude, and survival of black people in a land where their body is always on display.

As Daniel Black reminds us, while hope may be slow in coming, it always arrives, and when it does, it delivers beyond the imagination. Propulsive, intimate, and achingly relevant, Black on Black is cultural criticism at its openhearted best.

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Black and Female: Essays by Tsitsi Dangarembga

The first wound for all of us who are classified as “black” is empire.

In Black and Female, Tsitsi Dangarembga examines the legacy of imperialism on her own life and on every aspect of black embodied African life.

This paradigm-shifting essay collection weaves the personal and political in an illuminating exploration of race and gender. Dangarembga recounts a painful separation from her parents as a toddler, connecting this experience to the ruptures caused in Africa by human trafficking and enslavement. She argues that, after independence, the ruling party in Zimbabwe only performed inclusion for women while silencing the work of self-actualized feminists. She describes her struggles to realize her ambitions in theater, film, and literature, laying out the long path to the publication of her novels.

At once philosophical, intimate, and urgent, Black and Female is a powerful testimony of the pervasive and long-lasting effects of racism and patriarchy that provides an ultimately hopeful vision for change. Black feminists are “the status quo’s worst nightmare.” Dangarembga writes, “our conviction is deep, bolstered by a vivid imagination that reminds us that other realities are possible beyond the one that obtains.”

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Ordinary Notes by Christina Sharpe

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages—sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of “beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

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Superfan: How Pop Culture Broke my Heart by Jen Sookfong Lee

For most of Jen Sookfong Lee’s life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams. Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her—the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths.

Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.

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Do you have a favorite essay collection? Let us know in the comments.

 

Listen to Your Mother: What She Said Then, What We’re Saying Now Edited by Ann Imig

listen to your motherAs most children will tell you, the phrase “Listen to your mother” is something that you hear from a young age to even adulthood. After all, mother knows best. But how do all those mothers seem to magically know about all those mothering tricks? Read this book to find out. Ann Imig has brought together a wide variety of essays in her book, Listen to Your Mother: What She Said Then, What We’re Saying Now that draws opinions and experiences of motherhood and, more widely, from parenthood in general from the point of view of children, parents, and grandparents.

The title of this book may be “Listen to Your Mother,” but the views presented within this collection range from surrogacy to LGBTQ parenting to adoption to first-time moms to being empty nesters to special-needs parenting and many, many others. Some stories are heart-breaking, some are happy, while others still seem to be a mixture of both. Imig and the writers are voicing their tales of motherhood, the ones that they feel are uniquely their own, but have come to realize that the underlying tales of family are relatable across age, race, and family type. One son speaks of how he was raised by two mothers, two men discuss how it is to raise their children without a mother, while another discusses how her mother raised her to be strong and independent and how she hopes to raise her daughter the same way. Check out this book to read the hilarious and intriguing stories presented within.

Some of the essays in this book have come from the Listen to Your Mother movement, a speaker series with a Youtube Channel and a website put together by Imig with the mission to support motherhood by giving voice to motherhood and celebrating the diversity present within motherhood by live, original reading performed onstage.

What Was I Thinking?: 58 Bad Boyfriend Stories Edited by Barbara Davilman and Liz Dubelman

 What Was I Thinking?: 58 Bad Boyfriend Storieswhat was i thinking was edited by Barbara Davilman and Liz Dubelman as a way for people to talk about the point in their relationship where they realized that their dealings with that person were doomed and over. Sometimes the relationship may not actually end for weeks or even years later, but there is usually that one defining moment where it suddenly hits you that you don’t like that person as much as you thought you did. Out of the hundreds of submissions that Davilman and Dubelman received, they were only able to pick out 58 to put together into this collection.

As I was reading this book, I came across many themes: 1) sometimes the reasons for our break-ups may seem like nothing at all to other people(he plucked his uni-brow, I dyed my hair, he didn’t like to read), but they can be deal-breakers to the person who ultimately calls it quits, 2) that A-HA relationship-ending moment may not be so obvious to us right when it happens, but in hindsight, we definitely recognize that moment as the “start of impending doom”, 3) that blast of clarity when we know that the relationship was over was sometimes more vivid and easier to remember than the entire relationship itself, and 4) no matter how many times our friends tell us our significant other may be just a little too weird, we will not actually break-up with that person ourselves until we burst out of the happiness bubble and honeymoon phase of the new relationship and see the person for who they really are.

Check out this book to commiserate with these women about the moments when they knew their relationships were just over and it became clear that that relationship was not going to work out. Be prepared to look back out your own relationships as you read this book because the women sharing their personal stories are not afraid to dig deep into their pasts to talk about their moments of clarity, no matter how foggy those moments have been right in the midst of the happiness.

Essays After Eighty by Donald Hall

essays after eightyLet me first admit that the way I discovered this book was not when I placed it on my “to-be-ordered” list or when I stumbled upon it by happenstance in the library. Instead, I was talking about BookFace Friday. This event happens every Friday when librarians and other bookish people find books with people’s faces as the cover, pose with them as their actual face, and post pictures on their social media accounts. (Still confused? Check out the Instagram page for BookFace Friday.) As I was looking up examples to show, I found someone using this book as their face. I was instantly intrigued by the title and immediately wrote it down to order/read.

Donald Hall, former U.S. poet laureate, constructed Essays After Eighty as a way to describe for others the vantage point of life at very old age. The essays Hall has written for this collection intricately weave subjects like death, aging, being limited when you reach old age, traveling in foreign countries, honorary degrees, his love of garlic, and just what is actually important to you when you reach his age. Describing for readers his deep love for his home, the deceased love of his life, and how to deal with growing older are just some of the topics Hall broaches in this enduring collection. Hall extends back to his past in some essays describing scenes that stand out in his mind to the present where he spends his time at Eagle Pond Farm.

Be sure to check out this book to read more about Hall’s life as a biographer, children’s author, and as a human being trying to figure out how to deal with everything old age has thrown at him.

Love, of a Kind

love, of a kindLove, of a Kind is the seventh book of poetry put together by Felix Dennis. Dennis was diagnosed with throat cancer in January 2012. As a result of that diagnosis, he began bringing together and revising poems for what he believed to be his last book. The poems here run along the themes of pain, life, death, and love.

The author lived a fairly loud and extravagant life after a humble beginning. Dennis was born and lived a life of poverty in a south London suburb where he dealt with his father moving to Australia, his mother choosing not to follow, and their subsequent divorce in a time where divorces just did not happen. As a consequence of their divorce, Dennis’ mother chose to not let her previous failed marriage be a reason for her or her children to not succeed in life. Dennis’ career spanned from publisher to poet to spoken word performer to philanthropist. Never one to stray from the limelight, various interviews with Dennis can be found online.

After his diagnosis in 2012, Dennis created Love, of a Kind as a way to cope. Dennis pairs his poems with woodcut engravings that help pull readers more completely into his world. Read along and feel Dennis as he pours his feelings about love into the words that he chose to be his memory after his death in 2014.

Crazy Salad & Scribble Scribble: Some Things about Women & Notes on the Media

crazy salad and scribble scribbleCrazy Salad & Scribble Scribble: Some Things about Women & Notes on the Media is a combination of two essay collections by Nora Ephron: Crazy Salad and Scribble Scribble.

Throughout her career, Ephron was known by many different titles: producer, director, and writer. She worked on such iconic movies as “Julie & Julia”, “Silkwood,”Heartburn” (both movie and book), “You’ve Got Mail”, “Sleepless in Seattle”, and “When Harry Met Sally”. Before she shot to fame, Ephron began writing a column about women for Esquire magazine in 1972. Crazy Salad & Scribble Scribble is a selected compilation of her essays all about women and the media that she wrote throughout her tenure at the magazine.

Ephron delights readers with her musings on how she got her first bra and her mom’s rather brash opinion on what she felt her daughter needed. Add in other opinionated, yet funny and witty, descriptions of issues that all women have faced, but not blatantly talked about, from what’s happening with our bodies, dealing with other people’s opinions about how women should live, and of course, the Pillsbury Bake-Off. Ephron ends this essay collection with Scribble Scribble, her various thoughts on multiple different people in the media and the platforms that they choose to show themselves.

Read these essays to gain better insight into just what made Nora Ephron, Nora Ephron.