Have you ever watched a show that had you continuously scratching your head and wondering what was going on and how any of it could possibly be happening? My latest head-scratching television show is Wayward Pines, a Fox television show that premiered its first season in May of 2015 . This show stars Matt Dillon as Secret Service agent Ethan Burke who is sent to investigate the disappearance of two fellow agents. On his way to investigate, Burke is in a serious car accident and wakes up in a hospital in Wayward Pines, a creepily idyllic town in the picturesque mountains of Idaho.
After breaking out of the hospital, Burke begins the investigation into his missing colleagues and also into what actually happened to him before he woke up in the hospital in Wayward Pines. Burke soon realizes that crazy things are happening when he stumbles upon one of his missing colleagues and she tells him she has been in Wayward Pines for years, when she disappeared from DC five weeks prior. Burke tries to leave, tries to get in contact with his wife and son, and tries to pry answers from the sheriff and the townspeople, only to be rebuffed and in danger no matter what he tries. When his family comes looking for him, Burke takes matters into his own hands and desperately searches for a way to free them all for the walled city of Wayward Pines. This television show can be confusing at times, but the giant conspiracy around the whole endeavor had me clamoring for more once I watched the season finale.
This television show is based on the Wayward Pines novels by Blake Crouch. The order of the trilogy is Pines, Wayward, and The Last Town. You can find all three at the Davenport Public Library.
Trying to put into words how I feel about Preston L. Allen’s Every Boy Should Have a Man isn’t easy. I keep trying to avoid calling the book weird — as not to turn away potential readers — while still imparting the distinct oddness of this novel. I want to explain how unnerving the novel can be at times, while making sure that I don’t forgot to tell you that the book was also subtly funny and wickedly smart. Part science-fiction, part allegory, part fairy tale, and part scripture, Allen has created a work of fiction that isn’t easy to pin down. Allen deftly employs irony, playing with the reader’s perception of humanity and challenging the way we interact with the earth.
Every Boy Should Have a Man takes place in a world in which Oafs keep “mans” as both pets and as potential food. In this land, a poor boy Oaf owns three mans throughout his life; something that is typically only a privilege of the wealthy. Spanning the lifetime of the boy Oaf (and a short time following), the book examines what it means to be civilized through a lens of a long list of divisive subjects including war, racism, global warming, and the ethics of domesticating animals for pets and livestock. To say that the novel is unique is an understatement, but there is evidence of a wide range of influences from Jack and the Beanstalk and Gulliver’s Travels to Ursula K. Le Guin and Margaret Atwood.