Catherine Buchanan writes a heartrending, gripping novel about two sisters in Belle Époque Paris in The Painted Girls.
1878 Paris. Following their father’s sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opéra, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Émile Zola’s naturalist masterpiece L’Assommoir.
Marie throws herself into dance and is soon modeling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Émile Abadie, must choose between honest labor and the more profitable avenues open to a young woman of the Parisian demimonde.
Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of “civilized society.” In the end, each will come to realize that her salvation, if not survival, lies with the other. (description from publisher)
Nearing the end of her life, prima ballerina Nina Revskaya is again haunted by memories of the past, memories that she had thought were safely hidden and forgotten in the poignant novel Russian Winter by Daphne Kalotay.
Born and raised in Moscow during the Cold War, Nina’s talent and skill not only ensure her career at the Bolshoi Ballet, it insulates her from many of the harsh realities of life in Stalinist Russia. She falls in love with the poet Victor Elsin, develops a circle of friends that includes writers and composers and enjoys a life of relative comfort. The illusion is shattered when a close friend is arrested and sent to a labor camp, forcing Nina to confront the true nature of the corrupt and unforgiving government. Disillusionment, a shocking betrayal and a daring escape plan propel Nina into the West where her star continues to rise.
Now an old woman wracked with illness, Nina decides to sell her jewels with the proceeds going to charity. Most of the jewels are from her admirers, but a few, particularly a rare and valuable set of amber, are from Russia. Bringing them out into the public eye brings the return of painful memories, of lost love and rash decisions, decisions that reverberate across time and now confront Nina once again.
Moving between present-day Boston and 1950s Soviet Union creates fascinating contrasts in this novel, as well as ratcheting up the tension as separate stories build. From fine jewelry to the ballet to the living conditions of ordinary people in Stalinist Russia, Kalotay effortlessly crafts a bittersweet story of love and friendship and the righting of past wrongs.