The Dressmaker, starring Kate Winslet and Liam Hemsworth, tells the story of Tilly Dunnage, played by Kate Winslet. This movie is based on the novel of the same name by Rosalie Ham. Tilly is an accomplished dressmaker who spent years traveling the world learning her trade. She has returned to her small Australian hometown in 1950s Australia. Tilly escaped from this town when she was young after being accused of murdering a young boy. She has returned to learn the truth.
Upon arriving back in town, Tilly finds her eccentric mother, played by Judy Davis, living in squalor. She begins taking care of her and scheming to get revenge on those who accused her of murder. Tilly’s way of dressing shocks the town. She begins to offer her dressmaking services to women in town, seemingly as a kindness, but really as a way of revenge. She begins working with the local sergeant, a man who has secrets of his own. Tilly also falls for a local farmer, Teddy, a man who lives next door to her mother and whose family has been stopping in to care for her mother while she’s been gone.
This small backwoods Australian town is rife with secrets and scandals, more than just Tilly’s exile for the supposed murder of her young classmate. More and more of these secrets are exposed as Tilly works her magic on the local women. This movie shows that nothing is what it seems and that everyone has secrets. Tilly struggles to find out the truth, remember her past, and clear her name. I really enjoyed this movie because Tilly clearly knows how to get revenge on people. While she may appear strong, she also has a lot going on under the surface.
Actors taking a turn behind the camera as directors or producers has become increasingly more common. Russell Crowe has joined the ranks of such actors with the 2014 film, The Water Diviner, in which he both stars and directs this Australian historical fictional war drama.
In The Water Diviner, Crowe stars as Australian farmer Joshua Connor, who lives in Australia on a working farm with his wife and their three sons. After the unexpected death of his wife, Connor heads to Turkey in 1919 after the Battle of Gallipoli in order to find his three missing and presumed dead sons in order to bring their bodies home to be buried next to their mother. Connor repeatedly finds obstacles thrown in his way that bar his ability to, at first, make it to Gallipoli and then to get the officials there to even help him find his son. Facing tension from the military and different governmental agencies while abroad, as well as discrimination in Turkey from the locals who see him as the reason why their family and friends didn’t come home from the war, Connor soon realizes that everyone and everything around him has drastically changed from the war and that he must find a way to survive.. Finding his sons becomes Connor’s driving force through life, leading him to discover things that he is not quite ready to know.
This movie is loosely based on the book The Water Diviner by Andrew Anastasios and Dr. Meaghan Wilson-Anastasios. Check out the following books to learn more about the Battle of Gallipoli.
When I grow up I want to be a Lady Detective just like Miss Fisher—elegant, scrappy and clever (words that also describe my other favorite Lady Detective, Jessica Fletcher!) Phryne Fisher has been dancing around the book world for a while (see my review of the first in that series here: Phryne, Rhymes with Briney), but now we can actually see her shake her beaded tassels in a new gorgeously filmed television series by the Australian Broadcasting Corporation, shown in the United States on PBS.
Miss Fisher’s Murder Mysteries begins just as Kerry Greenwood’s book series does, with the Honorable Phryne Fisher, played by the seductive Essie Davis, returning to 1920’s Melbourne after being away for a decade or so. While she was away in Europe, Miss Fisher had modeled nude for artists, partied with dancers, worked as WWI nurse, and suddenly came into a title and money. Now that she is returned, Phryne decides that her charm and intellect are perfectly suited to solving murder mysteries around her old hometown. She enlists the help of her gentle butler, her communist chauffeurs/handymen, and her new maid, Dot, who finds herself constantly struggling between good Catholic values and the not-quite-legal-or-virtuous things that Miss Fisher persuades her to do. And of course, the local Detective Inspector Jack Robinson does not find Phryne’s frequent interference in his work amusing (even if he does find her annoyingly companionable.) I loved every episode of Miss Fisher’s Murder Mysteries, but what most puts a sparkle in my eye is Phryne’s marvelous wardrobe! The silk kimonos! The slinky wide-legged pants! And the hats oh THE HATS!
Miss Fisher’s Murder Mysteries is so charming, fun and sexy while still addressing many historically controversial issues such as abortion, homosexuality, and terrorism—all while giving us a cracking good whodunit. I highly recommend this series to fans of Downton Abbey, Call the Midwife, and those who love history and mysteries 😉
I had long been attracted to the fun and stylish covers of Kerry Greenwood’s Phryne Fisher series, and finally decided to give them a try when the Davenport Public Library’s new Youth Services Librarian, Liza Gilbert, told me they were some of her all-time favorite books. There was just one thing I needed to know before I curled up with the mystery series: how oh how do I pronounce the heroine’s first name?! A quick search online and I learned that “Phryne, rhymes with Briney” which is now stored safely in the corner of my brain right next to “Rowling, rhymes with Bowling.”
Phryne Fisher is the classic 1920’s saucy heroine; she has style, confidence, cleverness and unlimited funds to do with as she pleases, and apparently what she pleases to do is fly planes, outwit lovers, and investigate crimes. In Cocaine Blues, the first in her series, Phryne arrives in Melbourne, Australia to check on the condition of an English aristocrat’s daughter who had been writing worrisome letters home to her parents. Although she assumed her Melbourne visit would mostly involve watching a neglectful husband and testing the girl’s food for poison, Phryne quickly finds herself searching out heavyweight cocaine dealers and criminal abortionists (who are assaulting their patients and depositing them in taxicabs to die).
Despite the gritty, heavy subjects of these investigations, Miss Fisher still manages to wear fabulous gowns, make snarky conversation and have a sexy romp or two. Hurrah! My absolute favorite part about Kerry Greenwood’s writing was the fascinating setting of the growing city of Melbourne, Australia during the 1920’s. Since most of my favorite Twenties novels seem to take place in New York, Chicago or London, it hadn’t even occurred to me that other exciting locales were also having a roaring good time. I highly recommend the Phryne Fisher series to those readers who can’t get enough of bobbed haircuts, silk stockings and smart female characters.