Death Comes to Pemberley by P.D. James

Death Comes to Pemberley by P.D. James is a mystery set 6 years after Pride & Prejudice, when Lizzie’s disgraced sister Lydia comes to the Darcy estate screaming that her husband – the notorious rogue George Wickham – has been murdered. Everyone has a different opinion on Pride & Prejudice sequels. “Glorified fanfiction,” some say. “Total crap,” or “completely wonderful,” say others. I think the line between success and failure depends not only on good writing, setting, plotting, and characters, but on a critical distinction: no one but Jane Austen should write Jane Austen’s characters. Elizabeth’s wit and Darcy’s mysterious motives are the critical features that make Pride & Prejudice such an enduring classic, and any other authors trying to inhabit these characters inevitably struggle to do as well as Austen did. P.D. James, although an accomplished and talented author by any definition, is regrettably no exception. Her Darcy is wooden and boring, her Elizabeth does little but turn up every 25 pages and agree with her husband, and her speculation on Colonel Fitzwilliam’s future and character is hardly in line with the lovable, friendly man we know from P&P. The characters she invents – a dashing suitor for Georgiana, the staff of Pemberley – are much more vivid and entertaining.

James can turn a phrase admirably; even in its most stilted information-dumping passages (lots of early 19th century criminal law needs to be explained – feel free to skim these parts), the writing isn’t at fault here. It’s revealing that the best chapter of the entire book is the first one, where James neatly summarizes the events of Pride & Prejudice and weaves in the 6 years of additional plot she’s invented. You would expect a summary to be boring, but this one’s remarkably engaging; it’s the plodding mystery that stalls this book.

If you love mysteries and you love Austen continuations, give Death Comes to Pemberley a try. Although truth be told, you might be happier re-reading the original, especially if you’re an Austen purist or a demanding mystery fan. Despite a few good ideas, this book doesn’t satisfy on either end of that spectrum.